Saturday, January 29, 2011

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The Trevi Fountain

Undoubtedly one of the images that struck me most of my visit to the city of Rome was the Trevi Fountain, a majestic fountain in the front of the Palazzo Poli in ending one of the many aqueduct that brought drinking water to the city of Rome.



The name "Fontana di tevi" comes from the Italian "tre vie" and it is located at the junction of three roads or Roman roads marking the end of the aqueduct that carried water from a spring located about 20 km from the city and reportedly was discovered by a virgin priestess Roman, so he called Acqua Virgo.


As was customary at the time, at the end of the aqueduct was built where a source able to supply more easily, so that built a battery that collects the water, although its appearance today is very different from the original source built around 19 BC

In fact, throughout history the original design of the source was varying, even he abandoned for more than 1000 years, coinciding with periods of decline and fall of the Roman Empire and the siege of the Goths.

The current source is designed by sculptor Nicola Salvi, who was commissioned to restore, expand and transform the original pool of water in a giant work of art by Pope Clement XII in 1732. Neither

Pope Clement XII (d. 1740) and Salvi sculptor (d. 1751) were completed to the source, as it was the sculptor Giuseppe Pannini, who gave the final touch on it in 1762 under Pope Clement XIII, thus becoming the largest Baroque fountain in the city.

The source can be seen in the center a large statue of Neptune riding on his chariot drawn by two Tritons fighting two sea horses, and that right is guarded by a statue of Abundance and left for Health.


In the upper frieze is the inscription:

CLEMENS XII PONT. MAX.
AQUAM VIRGINEM
COPY ET SALUBRITATE COMMENDATAM
cultural MAGNIFICO ORNAVIT
MDCCXXXV PONTIFICAL ANNO DOMINI. VI

It goes on to say that Pope Clement XII, and decorated the aqueduct brought water virgin (clean, clear and clean) committed to the abundance and health, for the wonderful worship the Lord in the year 1735, in the sixth year of his pontificate.
A little further down, we read the following inscription:
PERFECIT XIV BENEDICTUS PONT. MAX.

He puts that Benedict XIV, Pontifex Maximus, was appointed prefect.
And the last of the inscriptions we can see just above the 3 main statues is:
POSITIS SIGNIS ET ANAGLIPHIS TABULIS IUSSU Clementis XIII PONT. MAX. OPUS CUM AD MDCCLXII ABSOLUTUM cultural OMNI.

The translation is that Pope Clement XIII was ordered to place the statues and reliefs in this place, the work being completed in 1762.


The "tradition" of throwing a coin into the fountain is relatively recent, as it is in 1954 with the premiere of the film Three coins in the fountain, in which three girls throw a coin into the fountain to make your dreams come Actually, when you start with this kind of ritual that all tourists who pass by the fountain just doing.


is sitting with his back to the fountain and throw a coin in your right hand over your left shoulder if we return to Rome.
If we throw two, we ensure that we fell in love with a Roman / o, and if three coins, you get married with her / him in Rome.


The night lighting of both the source and the battery creates a play of shadows and reflections that attract more tourists almost throughout the day, when "thank you" to the sun is quite difficult to sit quietly and contemplate the source or cool with water from the Acqua Virgo flowing in the right area of \u200b\u200bthe source.

Saturday, January 22, 2011

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Church Sta Maria Sopra Minerva - Rome

Near the Roman Pantheon in Piazza della Minerva small, we find the Church of Santa Maria Sopra Minerva, which lies behind a simple façade a surprisingly spacious and bright interior.



As its name in Italian, this church is built on the remains of an ancient pagan temple dedicated to the goddess Minerva, and was built in 50 BC
The current appearance dates from the thirteenth century, when Pope Alexander IV gave the Friars their management Dominicans, who during the next two centuries were expanding and improving the temple gradually due to lack of funding.

Inside and under the main altar are the remains of St. Catherine of Siena, but the work of art that would highlight is the statue of "Christ of the Minerva or Christ carrying the cross", made famous by Miguel Angel , which is located to the left of the altar.


The vaults of the nave, transept and choir, are painted blue with gold stars and decorated with frescoes depicting the apostles, prophets and doctors of the church sat on thrones.


In the square where stands the church, we are "The Pulcino della Minerva", designed by Bernini statue of an elephant on which stands one of the eleven Egyptian obelisks in Rome and that found in the gardens of the monastery of the Dominicans.


Saturday, January 15, 2011

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El Panteón de Roma

At the heart of the tourist city of Rome we find this imposing building nearly 2000 years it has housed a pagan temple, a Christian church and the Academy of the Virtuosi of Rome.


is currently one of the most visited and personally surprised me most of the city of Rome, where they are celebrating Masses and weddings.

Walking through the streets that separate the Piazza Navona to the Trevi Fountain, suddenly comes a place in which for many is the so-called "most beautiful building world."
In fact, one of the greatest artists of all time, Miguel Angel, said the Pantheon which had a " Design Angelic and nonhuman ".

The original building dates from the year 27 BC, and is known as the Pantheon, as was the Consul of the emperor Augustus decided to build a temple to all gods (Pan = All ) (theon = gods).
The seven celestial gods in Roman mythology: the sun, moon and five planets (Mercury, Venus, Mars, Jupiter and Saturn) were represented in each of the seven temples of the interior.
After several fires, had to rebuild almost the entire temple almost half a century later, under the English reign of Emperor Hadrian.

The temple has a porch eight Corinthian columns that served as a prelude to a large circular vessel is 43.5 meters in diameter covered by a large dome of the same size.
In the frieze of the portico can read the inscription:


M.AGRIPPA.LFCOS.TERTIVM.FECIT
(Marcus Agrippa, son of Lucius, Consul for the third time, did)


But what makes this building unique is the huge dome 43.5 meters in diameter that rises to 43.5 meters above the ground, so it can form a perfect sphere inside that symbolizes the universe according to representation of Plato's cosmological conception.
Such is the respect he had in Rome at this building, the dome of the Basilica of St. Peter's was built a little smaller than the Pantheon.



It's amazing to think that in the first century AD construction techniques were so advanced as to the Renaissance did not build another dome of similar dimensions.
To lighten the heavy weight of the dome, lighter materials were used in the upper zones, the thickness is reduced gradually until the oculus of 8.9 meters in diameter, and caissons were made inside the dome to reduce the weight of it without affecting the housing.

At the bottom were used for heavier materials that could withstand the weight of the dome, which were added to the altars and windows helped to distribute the burdens and lighten weight.


By having an opening in the center of the dome, the lighting of the building is insured, but to avoid flooding the rain, the soil is higher in the central area and decreases progressively to a drainage channel located on the perimeter of the room To this must be added several drainage holes scattered throughout the room.

If we come to Piazza della Minerva, we can see the relieving arches embedded in the wall of the upper floor and are now visible due to the disappearance of the original coating.



can also find the tomb of one of the great Renaissance artist, Raphael, who participated in the decoration of the Vatican rooms with works like "The School of Athens ."


Like other monuments, lighting Pantheon evening wraps it in a mystique broken only by the murmur of the crowd that filled the Piazza della Rotonda at any time.


San't

Saturday, January 8, 2011

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San't Puente de Angelo - Rome

Angelo Bridge is one of the oldest known and beautiful city of Rome. It was built by Emperor Hadrian between 134-139 across the river Tiber from the city of Rome to the mausoleum that was built across, and subsequently became part of the complex San't Castello Angelo.


past
pilgrims used this bridge to get to the Vatican, as was also known as Puente de San Pedro.


In the seventeenth century, Pope Clement IX instructs Bernini decorating the bridge in order to create an urban way of the cross.


is when Bernini designed 10 statues of angels holding various instruments of the passion, which only made two of them even came to be on the bridge, since the same Clement IX saved them for his own pleasure. Now we can see those two statues of Bernini's church Andrea delle Fratte San't.

is entirely pedestrian bridge, so we can entertain observing in detail the statues that decorate it, among which we can find some like the angel carrying the cross and the angel with a spear:


If you have the opportunity to get close to the bridge at night, I recommend it 100%, and that you will find far fewer tourists than during the day and the views of both the bridge and the castle and the Vatican City is really cool, and if you have no tripod not worry, because as you can see in the picture, there are plenty of makeshift stalls that to buy a tripod of any size to capture the best night shots of the Eternal City.


next to the bridge, you can visit the Castello de San't Angelo, in which stands the statue that crowns and which represents the archangel Michael sheathing a sword to announce the end of the plague epidemic that ravaged the city in AD 590.
Since 1277, a wall connecting the Vatican to the castle, which in 1527 served as a fortress and refuge for Pope Clement VII during the attack by the troops of Charles I of Spain.